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The Unsettling Visibility of Public Space — Public Lecture
The Reactive: Social Experiences of Surfaces and Depths
Twilight of the Icons, or, How to Sociologize with Visibility
Twilight of the Icons, a contribution to the “On Icons” Symposium, Edited by Marco Solaroli
Available at | http://www.sociologica.mulino.it/journal/issue/index/Issue/Journal:ISSUE:26
A Conversation with Roderick Macdonald
Published in The Unbounded Level of the Mind. Rod Macdonald’s Legal Imagination.
Edited by Richard Janda, Rosalie Jukier and Daniel Jutras. McGill University Press, 2015.
My tribute to the great scholar and professor Rod Macdonald (1948-2014), a questioner and an inspirer by all means.
A walk in Tallinn
Technologies de la visibilité : visualiser les nouvelles formes de souveraineté
The ground before the battle (con Cristina Mattiucci)
Now published in Massimiliano Guareschi, Federico Rahola, Forme della città. Sociologia dell’urbanizzazione.
Prima del conflitto, i territori danno segni. Sono segni dei desideri e delle paure condivise, forse anche segni di insorgenze latenti, a venire, sedimentati in quelle che viviamo come “esperienze urbane”. Una pagina nota di Furio Jesi racconta come dʼimprovviso si possa rivivere la città nel giorno della rivolta: i luoghi quotidiani dellʼesperienza vissuta, dove si è baciato per la prima volta lʼamante, divengono ora ricettacoli di una nuova intimità con la dimora misteriosa del collettivo, della politica. “Sono i desideri su vasta scala a fare la storia”, scrive dʼaltra parte anche Don DeLillo in Underworld – ma come si raggiunge questa “vasta scala”? Dove si può sperare di visionare quel repertorio di sogni su piccola scala pronti a traslarsi – per “somma e sublimazione” – in “piani sul pianeta”, come li ha chiamati Guattari, dispositivi o piani dal cui incontro inevitabile viene il conflitto? Incontro inevitabile, perché questi sogni vogliono davvero conquistare la grande scala, scriversi in grande sotto il cielo; conflitto inevitabile, quando on the ground, sul campo, il terreno si fa riarso e polveroso, lʼaria irrespirabile.
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(MU) at Ozu’s grave
So many years after I first watched Wim Wender’s Tokyo Ga, I myself could pay respect to the great Yasujirō Ozu at Kita-Kamakura. My mu is his mu. I was there with my love in a sunny day in the blossoming season.
A nice review of « Urban Interstices »
The review is by Ella Harris (U. of London) and has been recently published in Urban Research & Practice. Here it is.
Imitation, Contagion, Suggestion: Rethinking the Social Conference at Copenhagen Business School, Denmark 28–29 May 2015
Border Regimes & New Territorial Formations
Muri e città
Conflitti urbani
Nucleo monografico di Etnografia e ricerca qualitativa, 2014, no. 3 a cura di Andrea Mubi Brighenti, Federico Rahola
Introduzione. L’etnografia tra le crepe
Numero disponibile su http://www.rivisteweb.it/issn/1973-3194/issue/6550
Notre vie locale… (Vous êtes ici)
Ancient ways…
Ancient ways… from andrea mubi brighenti on Vimeo.
A walk in Melbourne
Tempi e ritmi della citta
Una lezione nel contesto di Pensa trasversale, Percorso di orientamento all’Universita per studenti dell’ultimo anno delle scuole superiori
Territorio qualsiasi (intro)
Logistic time / evental time. Two notions for urban and architectural research
Lecture at the Seminar ‘Architecture: enduring, ephemeral, moving, dust’
Department of Architecture and Built Environment, Lunds Tekniska Högskola, Lund University, December 2, 2014
In this lecture, I would like to imagine some ways in which we may study temporality in the city and the built environment. In the first part, I present a theorization of time that draws from the lineage Bergson-Deleuze. I explore in some details the notion of ‘the instant’ as it appears in Deleuze’s The Logic of Sense (1969), and how this notion relates to two distinct images of time, namely aiòn and chronos. Subsequently, I would like to puzzle about how these philosophical images could be productively employed to examine urban spacestimes, rhythms and territories on the making. To this aim, I resort to the ‘tensed entwinement’ of logistics and the event. Logistics, which is originally a military art, concerns the calculated dispatching and delivering of goods to the right place at the right time. As such, it is part of a broader attempt at governing flows in the city. Thus, the interpretive framework in which I would suggest to place logistics is Foucault’s notion of ‘liberal governmentality’, as elaborated in particular in The birth of biopolitics (1979). On the other hand, Foucault’s analysis of freedom as a governmental notion also introduced the notion of ‘possible event’ as a phenomenon and object to be incorporated into a distinctive calculation. My argument is that an unresolved tension remains between logistic calculation and the event. Different images of time may help us to capture what is at stake here. The third and conclusive part of the lecture will consist in setting up a series of open questions which could potentially outline a research agenda for urban and architectural research aiming at bringing temporality into the focus of spatial analysis.
Urban Verwertung. Conceptualizing the adventures of value in contemporary urbanism
A Keynote Speech to be delivered at Competing Urbanisms: The New Politics Of Public Space, 5 November 2014, University of Melbourne
The aim of this lecture is to puzzle about the creation and transformation of value in contemporary urban space. Far from being a mere correlate of economic processes, ‘value’ can be understood as a total social fact and a polymorphous magical substance. The territory of value is inherently crossed by not only quantitative change but also qualitative metamorphoses. Indeed, while the economic side of value is the easiest to grasp, in order to capture the whole anthropological phenomenon of value creation and transformation a larger canvas needs to be drawn. Valorization (Verwertung) processes are complex, multifaceted, inherently unstable dynamics of production, circulation and transmutation of not only material goods (as per the classic analysis by Marx).
In the case of urban places, the economic side of value precipitates and condenses a number of scattered, convergent or divergent, social forces which include discourses, repertoires, representations, imaginaries, aspirations, reputations, judgments, position-takings, conflicts, negotiations, resistances, justifications and so on. In making the value of a place such as a neighbourhood, a square, a park, an alley or a metro station, the production, circulation and transmutation of all the items listed above is as important as the production, circulation and transmutation of material commodities in the analysis carried out by Marx in the mid-19th century.
An enlarged investigation into the notion of value thus inevitably leads us to a reflection on the limits of measurability. For what remains to be ascertained is how precisely value can be inscribed into places or associated with them. Here is where the case of street cultures and ‘alternative’ forms of cultural productions may provide us with poignant insights. In the course of the last 15 years of so, graffiti art has received unprecedented attention from mainstream cultural institutions ranging from local municipalities arts services and grant schemes to major contemporary arts museums. At the same time, street art – or what is sometimes referred to as ‘post-graffiti’ – has moved closer than before to the contemporary art system.
To various extents and not without contradictory, or even paradoxical outcomes, both graffiti and street art have been increasingly associated with thrilling lifestyles, urban creativity, fashionable outfits, and hip neighbourhoods. The value attributed to such expressive urban cultures as well as the places where they occur has changed accordingly. Perhaps, it is these practices we should attend in the attempt to understand the mysteries and alchemies of Urban Verwertung.
+ info | http://public-cultures.unimelb.edu.au/event/workshop-competing-urbanisms-new-politics-public-space
lo Squaderno no. 33 | Crowded Spaces
Welcome back
A walk in Tōkyō
Flour